The Art of Editing and Film Meaning Essay - 1559 Words

As one of the most celebrated and best known Soviet directors, Sergei Eisenstein’s theoretical writings and practical uses of editing are a crucial part of cinema’s development. He viewed the art form of film as a tool with which to inflict certain reactions and emotions to audiences, be it through shock or empathetic understanding. His editing techniques were key elements to achieve these effects, carefully planned out and sought to create conflict in meaning. â€Å"Art is not a mirror which reflects the historical struggle, but a weapon of that struggle.† (Vertov in Enzensberger, 1972) His keen editing work proved cinema’s propagandistic potential and was used as such to instigate the masses against the Soviet bourgeoisie. Therefore, not†¦show more content†¦Brought up without a formal cinematic training, the director started off his career in an LA video store and making connections by talking about his enticing script ideas. After managing to get Natural Born Killers (1994) made by a different director, Oliver Stone, he was disappointed with the final film and decided not to have his style and vision tainted by other filmmakers. This is why Pulp Fiction is exemplary for his unique vision and techniques. As mentioned, Tarantino’s narrative trademark is non-linearity, as he used it in his first feature films, Reservoir Dogs (1992) and Pulp Fiction, and continues to employ it in his other work. He breaks narrative conventions by avoiding to clearly signpost flashbacks, for instance. Tzioumakis exemplifies the shift in storytelling through a lack of â€Å"blurred images, intensification of music, framing of a character in a close up to suggest that he or she is remembering or imagining something, and so on†. (Tzioumakis, 2006, p. 8) Referring back to Eisenstein, Tarantino’s editing choice is a tool for disorienting the viewer, because even though the narrative is set out in the scriptwriting phase, it is the edit that makes these temporal transitions difficult to register. The audience is shown pieces of the narrative like a puzzle, which they have to assemble in order to understand the full plot. â€Å"Comprehension of the central action is supplemented by flashbacks to different characters, giving the movie a RashomonShow MoreRelatedMovie Analysis : The Hurt Locker1515 Words   |  7 Pagesin Katherine Bigelow’s film The Hurt Locker (2008) provides insight to a world that much of the audience will never experience. Although The Hurt Locker would be regarded as a â€Å"realistic† film in form and content by modern standards, the resulting product would not belong totally to â€Å"realist cinema† as defined by French theorist and film ciritic Andre Bazin. Bigelow’s directive approach to the film opposes the core of his writings with the use close ups, obtrusive editing, and framing focus the viewerRead MoreSummary Of The Film Industry In Griffiths Biograph Films768 Words   |  4 PagesGriffith’s Biograph Filmsâ₠¬â„¢ Gunning explores how the film industry in 1908 to 1909 became unified in terms of profitability and distribution in order to limit competition. He identifies through extensive analysis into American director D. W. Griffith’s Biograph films how they satisfy the demands and expectations of this new economic industry of film. Gunning further looks into the progression in film narrative by analysing the use of parallel editing, understanding the development of film from an exhibitionRead MoreWho was Vsevold Pudovkin? Essay1467 Words   |  6 PagesGriffiths film â€Å" Intolerance† he was inspired to follow film. He applied to the Sate Institute of Cinematography at Moscow in 1919. However in 1919 film was still a very young art form and ideas and techniques that are commonplace today were just being developed at that time. Pudovkin most influential role in the world cinema was his theories on editing. He recorded that editing is an aspect of film art form, which com pletely different compared to other forms of art. He believed editing shots togetherRead MoreClassical Movie Theories And Realism1433 Words   |  6 PagesOption 2 Classical film theories are generally divided into two main camps. They have been categorized as Formalism and Realism. The formalist approach looks at the structure and form of the film. It analyzes the method by which the story materializes and how it forces the viewer to react based on the way it is presented. It incorporates character development, photographic composition, camera movement, set design, editing, etc. to that end. The realist approach scrutinizes how a film represents â€Å"realityRead MoreBob Fosses 1972 Cabaret792 Words   |  3 Pagesexpressionism that focused on experimental fields of expression and looking into the future. In Bob Fosses 1972 musical Cabaret, the flamboyant world of art appears under the intimidating Nazi era. This film follows the German Expressionism trend as seen through its avant-garde style and sense of emotion. The editing techniques, featured art, and deeper meaning all testify to the German Expressionism era. During the 1920s, German Expressionism emerged because of the number of related artistic movements beginningRead MoreSurrealism Essay1524 Words   |  7 Pageswill examine the relationship between surrealism and artist film, cinema and gallery work. An art film is a motion picture originally created for a confined audience as opposed to a mass market. Art films provide opportunities to display unique conventions independent from mainstream film.They’re clear differences between the two movements film presents a clear purpose of action opposed to the social realism style often seen in art films where the focal points are the imagination and cognitive thoughtsRead MoreEditing critique of Tery Zwigoffs Ghostworld Essay1042 Words   |  5 PagesEditing Critique of Terry Zwigoffs Ghost World nbsp;nbsp;nbsp; In order for a film to be successful many different elements must be taken into consideration even before beginning to shoot. The tone of the piece, what sort of lighting will be used, the location of the shots, and a palette for the film, are all elements that need to be considered before the actual filmmaking begins. However, even with rigorous planning, questions will still arise during shooting, questions that might not evenRead MoreFilm Study: the Shining1420 Words   |  6 PagesFilm is an important part of culture, because it combines aspects such as song, story-telling, art and expression. The scenes of a film come together to create harmony and to express an idea. The Shining is a film that expressed Stephen King’s novel in a cinematic way. In every scene from this film there are indications of formalist techniques, when viewed all together as a movie, the idea of this movie being formalist is ensured. The movement of the camera when we follow Danny d own the hallwaysRead MoreAnalysis Of The Film A Backstage Musical 1213 Words   |  5 PagesPart One 1. Absolute films: â€Å"A particular type of Non Narrative avant-garde films are the Absolute films, which are completely abstract films†, the films that is nonrepresentational, using form and design to produce its effect and often describable as visual music. 2. Sequence shot: Sequence shot is basically amounting to one long shot that extends for an entire scene or sequence. It is just one shot with what the camera can gather, without any later editing. And so, it allows time andRead MoreFilm As An Art Form1643 Words   |  7 PagesThe popularity of imported and old Russian films in cinemas soon increased, paving the way for emerging Soviet directors to produce new films. This movement, although censored by the government, wanted to be free to experiment with film as an art form. A method of this was viewing editing as a tool instead of a necessity. Both Sergei Eisenstein and Vsevolod Pudovkin are key directors and theorists of the Soviet film industry who used the freedom of editing to create new exciting theories of montage